• La vestale (1768, Viena)
• Le donne letterate (commedia per musica, libreto de Giovanni Gastone Boccherini, 1770, Viena)
• L'amore innocente (pastorale, libreto de Giovanni Gastone Boccherini, 1770, Viena)
• Don Chisciotte alle nozze di Gamace (divertimento teatrale, libreto de Giovanni Gastone Boccherini, basado en Don Quijote de la Mancha de Miguel de Cervantes, 1771, Viena).
• La moda, ossia I scompigli domestici (libreto de Pietro Cipretti, 1771, Viena)
• Armida (dramma per musica, libreto de Marco Coltellini, basado en la Jerusalén liberada de Torquato Tasso, 1771, Viena)
• La fiera di Venezia (commedia per musica, libreto de Giovanni Gastone Boccherini, 1772, Viena)
• Il barone di Rocca antica (intermezzo, libreto de Giuseppe Petrosellini, 1772, Viena)
• La secchia rapita (dramma eroicomico, libreto de Giovanni Gastone Boccherini, según Alessandro Tassoni, 1772, Viena)
• La locandiera (dramma giocoso, libreto de Domenico Poggi, sobre Carlo Goldoni, 1774, Viena)
• La calamita de' cuori (dramma giocoso, libreto de Carlo Goldoni, 1774, Viena)
• La finta scema (commedia per musica, libreto de Giovanni De Gamerra, 1775, Viena)
• Daliso e Delmita (azione pastorale, libreto de Giovanni De Gamerra, 1776, Viena)
• L'Europa riconosciuta (dramma per musica, libreto de Mattia Verazi, 1778, Milán)
• La scuola de' gelosi (dramma giocoso "La escuela de los celosos", libreto de Caterino Mazzolà, 1779, Venecia)
• La partenza inaspettata (intermezzo, libreto de Giuseppe Petrosellini, 1779, Roma)
• Il talismano (Acto I) (dramma giocoso, libreto de Carlo Goldoni, 1779, Milán; musicado en colaboración con Giacomo Rust (Actos II y III)
• La dama pastorella (intermezzo, libretto de Giuseppe Petrosellini, 1780, Roma)
• Der Rauchfangkehrer, oder Die unentbehrlichen Verräther ihrer Herrschaften aus Eigennutz (musikalisches Lustspiel, libreto de J. Leopold von Avenbrugger, 1781, Viena)
• Semiramide (dramma per musica, libreto de Pietro Metastasio, 1782, Múnich)
• Les Danaïdes (tragédie lyrique, Marius François Du Roullet/Baron Tschudi, según Raniero di Calzabigi, 1784, París), atribuida en un primer momento al mismo Gluck
• Il ricco d'un giorno (dramma giocoso, libreto de Lorenzo Da Ponte, 1784, Viena)
• La grotta di Trofonio (ópera cómica, libreto de Giovanni Battista Casti, 1785, Viena)
• Prima la musica e poi le parole (divertimento teatrale), libreto de Giovanni Battista Casti, 1786, Viena)
• Les Horaces (tragédie lyrique, libreto de Nicholas-François Guillard, según Pierre Corneille, 1786, Versalles)
• Tarare (ópera, libreto de Pierre-Augustin Caron de Beaumarchais, 1787, París)
• Axur re d'Ormus (dramma tragicomico, "Axur, rey de Ormuz" libreto de Lorenzo Da Ponte, basado en Tarare de Pierre-Augustin Caron de Beaumarchais, 1788, Viena)
• Cublai gran kan de' Tartari (dramma eroicomico, libreto de Giovanni Battista Casti, 1788, no fue representada)
• Il pastor fido (dramma tragicomico, libreto de Lorenzo Da Ponte, según Battista Guarini, 1789, Viena)
• La cifra (dramma giocoso, libreto de Lorenzo Da Ponte, basado en La dama pastorella de Giuseppe Petrosellini, 1789, Viena)
• "Le Corounnement de Tarare" secuela del Tarare de 1787, con texto de Beaumarchais. No representada
• Catilina (libreto de Giovanni Battista Casti, 1792, no fue representada)
• Il mondo alla rovescia (dramma giocoso, libretto de Caterino Mazzolà, basado en L'isola capricciosa, 1795, Viena)
• Eraclito e Democrito (commedia per musica, libreto de Giovanni De Gamerra, 1795, Viena)
• Palmira regina di Persia (dramma eroicomico, "Palmira reina de Persia" libreto de Giovanni De Gamerra, basado en La princesse de Babylone de Voltaire, 1795, Viena)
• Il moro (commedia per musica, libreto de Giovanni De Gamerra, 1795, Viena)
• Falstaff ossia Le tre burle (dramma giocoso, "Falstaff o Las tres burlas" libreto de Carlo Propero Defranceschi, basado en Las alegres comadres de Windsor de Shakespeare y que retomará más adelante Giuseppe Verdi en su Falstaff; 1799, Viena)
• Cesare in Farmacusa (dramma eroicomico, libreto de Carlo Propero Defranceschi, 1800, Viena)
• L'Angiolina, ossia Il matrimonio per sussurro (ópera bufa, libreto de Carlo Propero Defranceschi, basado en Epicoene de Ben Johnson, 1800, Viena)
• Annibale in Capua (dramma per musica, libreto de Antonio Simeone Sografi, 1801, Trieste)
• La bella selvaggia (ópera bufa, libreto de Giovanni Bertati, 1802, no representada)
• Die Neger (Singspiel, libreto de Georg Friedrich Treitschke, 1804, Viena)

• "Addio carina bella" (Meng.) - aria en Sol mayor para bajo y orq.
• "Affé questa sera grandissima" - "Una domina? Una nipote?" (Don Anchise) aria & recitativo para bajo y orquesta (1775?), para P. Anfossi's "La finta giardiniera"?
• "Ah ciel che noja è questa" - fragmento -
• "Ah dove amici" - recitativo para soprano y orq.
• "Ah non siete ogni si facile" (Tenast) - aria para tenor y orq.
• "Alla speranza" (Galatea) - aria para soprano y orq.
• "All'idea del gran mistero" - aria en La mayor para soprano, coro y orq.
• "Anch'io nello specchio talora" - aria en E mayor para soprano y orq. (1771)
• "Cedo l'intatto pegno" (Dely - Davidde) dueto para soprano, tenor y orq.
• "Che mi s'appresti?" (Capitano) - aria en C mayor para bajo y orq. (1775)
• "[...] che strane vicende" (Ros. - Fior. - Pasq. - Fulg.) final fragmentario de una opera (Atto II), para "La novità" de A. Felici
• "Chi vuol la zingara" - dueto para dos soprano y orq.
• "Dall'uso parigino il bello, il sopraffino" aria in C major for soprano and orchestra (1773), for?
• "Del morir le angoscie adesso" scene and aria for tenor and orchestra
• "Denke nicht der Zeit der Schmerzen" duet for soprano, tenor and orchestra
• "Dico sol, che la padrona" (Lena) aria for soprano and orchestra, for "La Locandiera"?
• "D'oro saranno i letti" (Fulg.) aria in D major for bass and orchestra (1775), for?
• "Dottorini saputelli" (Clar.) arie for soprano and orchestra (1774), for?
• "Eccomi al punto ch'io già tanta temei" fragmentary aria for soprano and orchestra, for?
• "Fate largo al gran Pasquino" (Pasquino) aria in D major for bass and orchestra (1775), for A. Felici's "La novità"?
• "Figlia mia diletta" trio for soprano, tenor, bass and orchestra, for?
• "Fra tanto pietre brune" (Polidoro) recitative for bass and orchestra (1785?), für D. Cimarosa's "L'Italiana in Londra"?
• "Gelosia d'amore è figlia" aria for soprano and orchestra, for?
• "Goder lasciatemi" (Gianetta) aria for soprano and orchestra, for?
• "Gran diavolo!" (Uberto) aria in F major for bass and orchestra, for?
• "Guarda in quel volto" aria in E flat major for soprano and orchestra, for?
• "Ho perduto la mia pace" (Brettone) aria for tenor and orchestra (1775), for G. Paisiello's "L'innocenza fortunata"?
• "Ho stampato libri in foglio" aria for tenor and orchestra, for?
• "Il pargoletto amabile" aria in A major for tenor and orchestra, for?
• "In tuo favore mi parla il core" duet for two sopranos and orchestra, for?
• "Io contento", recitative, for?
• "Io di nuovo vel ripeto" aria for soprano and orchestra (1777), for?
• "Io lo dico e il posso dire" trio for alto, tenor, bass and orchestra, for?
• "Io non so che pensare" recitative and cavatina for tenor and orchestra, for?
• "La donna è sempre instabile" (Belfusio) aria for tenor and orchestra, for "La fiera di Venezia"?
• "La mia morosa me l'ha fatta" (Sandrina) aria for soprano and orchestra, for "Il talismano"?
• "L'amour est un dieu" Canzone for soprano and orchestra, for?
• "La sposa se cedo" aria for soprano and orchestra, for?
• "Le diras, che il campione" (Gusman) aria for bass and orchestra (1775), for?
• "Le Inconvenienze teatrali" quartet for soprano, alto, tenor, bass and orchestra, for?
• "L'introduco immantinente" - "Quando ho visto il dottorino" (Rosina) recitative and aria for soprano and orchestra (1776), for "La finta scema"
• "Madame vezzosissima" (Zeffirina - Valerio) fragmentary recitative and duet, for?
• "Ma quai mali intorno al core" aria for tenor and orchestra
• "Ma quale agli occhi miei" (Conte) recitative, for?
• "Mia vaga Dorilla" aria for Bass and orchestra (1775), for B. Galuppi's "Il marchese villano"
• "Moriam, moriam mia vita" recitative and duet for soprano, tenor and orchestra, for?
• "Nel mio seno" aria, for?
• "Non per parlar d'amore" (Laurina) aria in E flat major for soprano and orchestra, for N. Piccinni's "L'astretta"
• "Non temer che d'altri" (Falsirena) aria for soprano and orchestra (1779), for "La fiera di Venezia"
• "Non veste alla moda" (Aga.) aria for bass and orchestra (1774), for?
• "Non vi fidate" aria for soprano and orchestra, for?
• "Oh che donna che matta" (Peppino), recitative, for?
• "Oh me infelice - Allor potrei" recitative and aria, for?
• "Oh qual sorpasso giubilo" (Pilemone) aria in F major für bass and orchestra, for "Eraclito e Democrito"?
• "Oh quanti veggarsi" (Cardano) aria for tenor and orchestra, for "Il talismano"?
• "Oh sancte inviete" aria for soprano and orchestra (1775), for?
• "Padrona stimatissima" (Pasquino) aria in D major for bass and orchestra, for A. Felici's "La novità"?
• "Parlaste d'un cappone" aria for bass and orchestra (1776), for?
• "Pasquino avrà quest'ora" recitative, for A. Felici's "La novità"?
• "Paterio giudizio" aria for bass and orchestra, for?
• "Per amore io già vancillo" (Perillo) aria for tenor and orchestra (1770), for?
• "Perder sogetto amato" duet for two sopranos and orchestra, for?
• "Per voi s'avanzi" aria for bass and orchestra, for?
• "Qual densa notte" (Artalice - Chabri - Nehemia - Chor) finale of an opera, for?
• "Quando sarà mia sposa" (Capitano) aria for bass and orchestra (1775), for?
• "Quest'è un mar di confusione" quartet for sopran, alto, tenor, bass and orchestra, for?
• "Rasserena nel tuo barbaro" fragmentary aria, for?
• "Sans argent et sans crédit" (Boschetto - Pirati - Lauretta) scene with orchestra (1768), for?
• "Scomodarmi da palazzo e trattarmi in questa guisa" aria in F major for soprano and orchestra (1775), for?
• "Se amor m'ha dato in testa, se mi far delirare" aria for soprano and orchestra (1776), for?
• "Se credessi di volare" (Peppino) aria in E flat major for bass and orchestra (1774), for?
• "Se Dio veder tu vuoi" (Achio - Azia) duet, for?
• "Se tu vedessi il core" (Isabella) aria in G major for soprano and strings, for B. Galuppi's "Il villano geloso"
• "Signor mio scrivete bene" (Pasquino) aria in F major for bass and orchestra (1775), for A. Felici's "La novità"?
• "S'odo, o duce" (Epponina - Voadice - Sabino - Arminio - Annio) finale of an opera (1785?), for G. Sarti's "Giulio Sabino"
• "Son dama, ma so l'arte ancor delle plebe" (Polissena) aria in B flat major for soprano and orchestra (1774), for G. Paisiello's "Il tamburo (notturno)"
• "Son nipote d'un togato" (Isabella) aria in F major for soprano and strings, for B. Galuppi's "Il villano geloso"
• "Sopra il volto sbigotito" aria in E flat major for bass and orchestra, for?
• "Talor non si comprende" aria for bass and orchestra, for?
• "Tenero cor" recitative and cavatina for soprano and orchestra (1780), for?
• "Tu che ferita sei" aria for tenor and orchestra, for "Il barone di Rocca antica"?
• "Tutte le furie unite in questo petto io sento" aria for soprano and orchestra (1776), for?
• "Tutti dicon che la moglie" aria for bass and orchestra, for?
• "Una domina? una nipote?" - see: aria "Affé questa saria grandissima" -
• "Un bel marito" aria for soprano and orchestra, for?
• "Un pescatore mi pare amore" aria for bass and orchestra, for?
• "Vedi ben che queste scene" trio for soprano, alto, bass and orchestra, for?
• "Venga su la finestra" aria for tenor, choir and orchestra, for?
• "Venissi cari, l'affare è serio" (Patenio) aria for bass and orchestra (1777), for?
• "Verdammter Streich" (Mauser) aria for tenor and orchestra, for?
• "[...] vicino a perdere l'amato ben" fragmentary aria, for?
• "Villottino mio bellino" (Lisetta) aria for alto and orchestra (1775), for?
• "Vi son sposa" aria, for?
• aria (Polissena) for soprano and orchestra (1774), for G. Paisiello's "Il tamburo (notturno)"
• finale of an opera for three sopranos, two tenors, bass and orchester (1779), for "La scuola de'gelosi"?

• Ballet en 7 movimientos para "L'Europa riconosciuta" (1778).

• Ballet en 16 movimientos.
• Ballet en 10 movimientos.
• Ballet en 8 movimientos.
• Ballet fragmentario.
• Obertura, cuatro piezas incidentales y nueve coros para "Die Hussiten vor Naumburg" de August von Kotzebue (1803).

• "Cantata per le nozze di Francesco I" para solistas, coro y orq. (1808)
• "Der Tyroler Landsturm" para soprano, alto, tenor, bajo, coro doble, orchestra y narrador (1799)^[1]​
• "Die vier Tageszeiten" for choir and orchestra (1819)
• "Du, dieses Bundes Fels" for choir and orchestra
• "Habsburg" for tenor, bass, choir and orchestra (1805/06)
• "Il Trionfo della Gloria e della Virtù" for two sopranos, tenor, choir and orchestra (1774 or 1775)
• "La Riconoscenza" for soprano, choir of five voices and orchestra (1796)
• "La Riconoscenza de' Tirolesi" for choir and Orchester (1800)
• "La Sconfitta di Borea" for soloists, choir and orchestra (1774 or 1775)
• "Lasset uns nahen alle" for tenor, bass, choir and Orchester
• "Le Jugement dernier" for tenor, choir and orchestra (1787/88)
• "L'Oracolo muto" for soloists, choir and orchestra (1802/03)
• "Wie eine purpur Blume" for two sopranos, choir and orchestra

• "An den erwünschten Frieden im Jahr 1814" para coro y orq.(1814)
• "An die Religion" para coro a cappella (1814)
• "Bei Gelegenheit des Friedens" para soprano solo, tenor, bajo y orq. (1800)
• "Beide reichen Dir die Hand" para coro - fragmento -
• "Del redentore lo scempio" para coro y orq. (ca. 1805)
• "Der Vorsicht Gunst beschütze, beglücktes Österreich, dich" for choir and orchestra (1813) - new version of the final movement of "Der Tyroler Landsturm" (1799) -
• "Dio serva Francesco" for choir and orchestra
• "Do re mi fa" for choir a cappella (1818)
• "Es schallen die Töne" for choir and orchestra
• "Herzliche Empfindung bey dem so lange ersehnten und nun hergestellten Frieden im Jahr 1814" for choir and orchestra (1814)
• "O Friede, reich am Heil des Herrn" - see: "Herzliche Empfindung bey dem so lange ersehnten und nun hergestellten Frieden im Jahr 1814" -
• "Hinab in den Schoß der Amphitrite" for choir and orchestra (from "Danaus"?)
• "Il piacer la gioia" for choir and orchestra
• "Ogni bosco, ogni pendice" for choir and orchestra
• "Religion, Du Himmelstochter" - see: "An die Religion" -
• "Schweb herab, o holder Seraph Friede" - see: "An den erwünschten Frieden im Jahr 1814" -
• "Schwer lag auf unserem Vaterlande" - see: "Rückerinnerung der Deutschen nell'anno 1813" -
• "Rückerinnerung der Deutschen nell'anno 1813" for choir and orchestra (1813/14)

• Songs, ensembles and canons with or without piano - approximately 340 works -

• "Davidde" para solistas, coro y orq. (1791) - fragmento -
• "Gesù al limbo" para solistas, coro y orq. (1803)
• "La passione di Gesù Cristo" para solistas, coro y orq. (1776)
• "Le Jugement dernier" para tenor, coro y orq.(1787/88)
• "Saul" para solistas, coro y orq. (1791) - fragmento -

• Mass in C major for choir a cappella (1767)
• Mass in D major for choir and orchestra (1788) - called "Hofkapellmeistermesse" -
• Mass in C major for double choir and orchestra (1799) - called "Proklamationsmesse" -
• Mass in D minor for soloists, choir and orchestra (1805)
• Mass in B flat major for soloists, choir and orchestra (1809)
• Kyrie in C major for soloists, choir and orchestra (1812) - part of an unfinished mass -
• Kyrie in F major for choir and orchestra - fragment -

• Requiem en C menor para solistas, coro y orq. (1804)
• Requiem en D menor para coro y orq. (c. 1815–20) - fragmento -

• "Ad te levavi animam meam" en E bemol mayor para coro y orq.
• "A solis ortu" pro Festo SS. Corporis Christi, in C major for choir and orchestra (1810)
• "Benedicam Dominum" pro Dominica 12.ª post Pentecostem aut de Tempore, in B flat major for choir and orchestra
• "Confirma hoc Deus" in C major for soloists, choir and orchestra (1809)
• "Improperium" in c minor for choir a cappella
• "Justorum animae" in A major for choir and orchestra
• "Liberasti nos, Domine" pro Dominica XXIII. et ultima post Pentecostem, in D major for choir and orchestra (1799)
• "Magna opera Domini" da tempore, in D major for choir and orchestra (1810)
• "Spiritus meus" in d minor for choir and orchestra (1820)
• "Tres sunt, qui testimonium dant in coelo" de SS. Trinitate, in D major for choir and orchestra
• "Veni Sancte Spiritus" in B flat major for choir and orchestra (1800)
• "Veni Sancte Spiritus" pro Festo Pentecostem, in B flat major for choir and orchestra (1805)
• "Venite gentes" in C major for double choir and orchestra (1799)
• "Vox tua mi Jesu" in C major for choir and orchestra (1774)

• "Alleluja (deinde) Bonum est" in D major for choir, strings and organ
• "Alleluja" in D major for choir and orchestra (1774) - 1788 reused as "Amen"-Fugue in the "Gloria" of the Mass in D major -
• "Assumpta est Maria" in C major for choir and orchestra (1799)
• "Audite vocem magnam" in C major for Chor und orchestra (1809)
• "Beatus vir, qui non abit" in D major for soloists, choir and orchestra
• "Benedixisti Domine" in F major for choir a cappella
• "Benedixisti Domine" in F major for choir a cappella
• "Cantate Domino omnis terra" in C major for double choir and orchestra (1799)
• "Desiderium animae" in F major for soprano, alto, bass and orchestra
• "Domine, Dominus noster" in G major for choir and orchestra (1812)
• "Dum corde pio" in C major for choir, double-bass and organ
• "Excelsus super omnes gentes Dominus" in C major for choir and orchestra (1806)
• "Gloria et honor(e)" in C major for choir and orchestra (1809)
• "Jubilate Deo" in A major for choir and orchestra
• "Justus ut palma" in B flat major for choir and orchestra
• "Lauda Sion Salvatorem" in C major for choir and orchestra (1805)
• "Laudate Dominum omnes gentes" in D major for choir and orchestra (1809)
• "Magna et mirabilia sunt opera tua" in C major for choir and orchestra (1809)
• "Magna opera Domini" in C major for chor and orchestra (1812)
• "Miserere nostri" in g minor for choir and orchestra (1805)
• "Miserere nostri" in E flat major for choir and orchestra (1803)
• "O altitudo divitiarium" in C major for choir and orchestra (1809)
• "O quam bonus et suavis est" in B flat major for soloists, choir and orchestra
• "Populi timente sanctum nomen Domini" in E flat major choir and orchestra (1778)
• "Salve Regina" in D major for choir and orchestra (1815)
• "Salve Regina" (on German words) in G major for choir and organ
• "Salve Regina" in B flat major for choir and orchestra
• "Salvum fac populum" (1805) - lost -
• "Si ambulavero in medio" in g minor for choir and orchestra (1809)
• "Sub tuum praesidium" in B flat major for choir and orchestra (1820)
• "Tui sunt coeli" in C major for choir and orchestra
• "Tui sunt coeli" in E flat major for choir and orchestra

• "Beatus vir, qui timet Dominum" in D major for two tenors, choir and orchestra
• "Confitebor Domine" in B flat major for choir and orchestra
• "De profundis" in f minor for choir, bass and organ (1815)
• "De profundis" in g minor for choir and orchestra (1815)
• "Dixit Dominus" in G major for choir and orchestra
• "Lauda, Jerusalem, Dominum" in C major for choir and orchestra (1815)
• "Laudate pueri Dominum" in G major for choir of six voices and orchestra
• "Magnificat" in C major for choir and orchestra (1815)
• "Magnificat" in F major for two-part choir and orchestra (1815)

• "Litania di B.M.V." en F mayor para solistas, coros y orq.
• "Litania pro Sabbato Sancto" en B bemol mayor para coro a capela (1820)

• "Coelestis urbs Jerusalem" Hymnus de dedicatione Ecclesiae, in A major for choir and orchestra
• "Genitori" in F major for soprano, choir and orchestra
• "In te Domine speravi" in E flat major for two sopranos and bass (1817)
• "Tantum ergo" in C major for double choir, two clarinets, four horns, four trumpets (Clarini), timpani, double-bass and organ
• "Tantum ergo" in C major for choir, two oboes, two bassoons, four trumpets (Clarini), timpani and organ
• "Tantum ergo" in C major for choir, two trumpets (Clarini), timpani and organ
• "Tantum ergo" in F major for soprano and strings (1768)
• "Te Deum laudamus" in C major for soloists, choir and orchestra (1819)
• "Te Deum laudamus" de Incoronazione, in D major for choir and orchestra (1790)
• "Te Deum laudamus" in D major for double choir and orchestra (1799) - new version of the "Te Deum" from 1790 -

• "Avertisti captivitatem Jacob" pro Dominica XXIII. et XXIV. post Pentecostem, in B flat major for choir, strings and organ
• "Beati immaculati" de Virginibus et Martyribus et de Sancto Stephano, in F major for choir, strings and organ
• "Concupiscit et deficit" in dedicatione Ecclesia et in Festo Tranfigurationis Domini, in F major for choir, strings and organ
• "Dico ergo" pro Festis Beatae Mariae Virginis, in d minor for choir, strings and organ
• "Domine exaudi vocem meam" pro Dominica XXII. post Pentecostem, in F major for choir, strings and organ
• "Et justitiam tuam" pro Festo Epiphaniae, in d minor for choir, strings and organ
• "Et psallare" pro Festo S. Joannis Apost. et S. Joannis Bapt., in B flat major for choir, strings and organ
• "Inductus est Dominus" pro Dominica infra octavem Nativitas Domini et ad secundam missam, in F major for choir, strings and organ
• "In civitate" pro Festo Purificationis Mariae et Dominica VIII. post Pentecostem, in C major for choir, strings and organ
• "In mandatis ejus" de Confessore et in Festo Sancti Joachim, in g minor for choir, strings and organ
• "Jubilate Deo Jacob" pro Dominica in albis, pro Feria II. post Pentecostem et in solemnitate corporis Christi, in d minor for choir, strings and organ
• "Jubilate Deo" pro Festo St. Januarii Episcopus et Mart., pro Festo Ascensionis Domini, in F major for choir, strings and organ
• "Laetentur insulae" pro Dominica III., IV., V., VI. post Epiphaniam, in F major for choir, strings and organ
• "Ne quando taceas" pro Dominica VI. post Pentecostem, in d minor for choir, strings and organ
• "Neque celaveris" de Confessore, in B flat major for choir, strings and organ
• "Quam admirabile est nomen tuum" pro Festo Sanctissime Trinitatis, in d minor for choir, strings and organ
• "Tu cognovisti" pro Festo Sanctorum Apostolorum, in d minor for choir, strings and organ

• "Audimus Dei verbum" - lost -
• "Contra vos, o monstra horrenda" in B flat major, motet for soprano, choir and orchestra (1769)
• "Cor meum conturbatum" in g minor for choir and orchestra
• "Ecce enim veritatem" in G major for bass, three violas, double-bass and organ
• "Fremat tirannus" in C major, motet for soprano, choir and orchestra (1778)
• "Magna est virtus" - lost -
• "Misericordius Dominus" in E flat major, duet for soprano, bass, violine and orchestra
• "O mortales, festinate" in B flat major, aria for soprano, clarinet and orchestra
• "Quae est illa" in B flat major, aria in honorem B.V.M. for soprano, oboe, strings and organ
• "Quem terra pontus sidera" in A major for soprano and orchestra
• "Salve Jesu pie" duet - lost -
• "Tu es spes mea, Domine" for soprano, flute, oboe and orchestra

• Concierto para oboe, violín, violoncello y orquesta en Re mayor (1770)
• Concierto para órgano y orquesta en Do mayor (1773) - segundo movimiento, perdido-
• Concierto para piano y orquesta en Do mayor (1773)
• Concierto para piano y orquesta en Si bemol major (1773)
• Concierto para flauta, oboe y orquesta en Do mayor (1774)
• Concertino de cámara para flaute u oboe y cuerdas en Sol mayor (1777)

• Symphonie in D major "Il Giorno onomastico" (1775)
• Symphonie in D major "La Veneziana" (built from overtures to "La Scuola de'gelosi" and "La Partenza inaspettata")
• Three minuets for orchestra
• 26 Variations on "La Follia di Spagna" for orchestra (1815)
• Allegretto in D major for orchestra
• Symphonie (ouverture) in C major - overture to "Habsburg" -
• Overture "La Frascatana"
• Fragmentary Symphonie (overture) in G major
• Fragmentary movement for bassoons and strings

• "Picciola Serenata" in B flat major for 2 oboes, 2 horns and bassoon (1778)
• Serenade in B major for 2 clarinets, 2 bassoons, 2 horns and double-bass
• Serenade in C major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass (alternative version of the serenade in B flat major for seven instruments)
• Serenade in F major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass
• Cassation in C major for 2 oboes, 2 English horns, 2 bassoons and 2 horns
• Three trios in G major, E flat major and C major for 2 Oboes and bassoon
• "Armonia per und tempio della notte" in E flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns (ca. 1795)

• 11 Marches for orchestra (ca. 1804)
• March for wind ensemble "Prägt tief in eure Herzen, Brüder"
• "Parademarsch" in C major for wind ensemble
• March "Die Landwehr" (1809)
• March in honour of Gassmann in C major for orchestra (1820)

• 4 Scherzi armonici istrumentali for string quartet
• Fugue for string quartet (tema H.! b.e.n. Die m. ist ein s. Ma non il testo)
• Fugue for three instruments
• Fugue in C major for two instruments (1818)
• Fugue in E flat major for two instruments (Tema Kerscorchiano)
• 6 little pieces for piano
• 6 pieces for guitar - lost -

• "La Betulia liberata" by Florian Leopold Gassmann: abridgements in recitatives and arias, and additional choirs taken from other compositions of Gassmann's (1820)
• "Il Talismano": joint composition by Salieri (first act) and Giacomo Rust (second and third act) (1779)
• "Iphigénie en Tauride" by Christoph Willibald Gluck: Italian version called "Ifigenia in Tauride" in Lorenzo Da Ponte's translation (1783)
• "Per la ricuperata salute di Ofelia" for voice and piano: joint composition by Salieri, Mozart and Cornetti (1785) - lost -
• "Requiem" by Niccolò Jommelli: additional instrumentation of two oboes, two bassoons and two trombones (for Christoph Willibald Gluck's solemn requiem on 8 de abril de 1788)
• "Stabat Mater" in F minor by Giovanni Battista Pergolesi: version for soloists, choir and orchestra, instrumentation by Franz Xaver Süssmayr

Grove Dictionary of Music and Musicians ISBN 1-56159-239-0